In a world where fonts are people, it's an all-out typeface-off between Helvetica's gang (Poor Richard, Playbill, Stencil ... ) against Arial's followers ( Vivaldi, Papyrus, Magneto ...). Despite Stencil's "bold" idea to increase the margins ("that way they think there are more of us than there really are"), they suffer too many "strikethroughs". Unfortunately, Comic Sans arrives too late...